Showing posts with label childhood/youth. Show all posts
Showing posts with label childhood/youth. Show all posts

Sunday, December 24, 2017

Tanka Prose

The Art of Gift Giving

For so long, it seemed, when our monetary wealth consisted of no more than a few coins, the Christmas presents we gave our parents were handcrafted. Such as the repurposed plastic face cream jar decorated with a broken string of costume pearls—brainchild of my kindergarten teacher. The macaroni wreath I spray-painted green and gold according to another teacher's instructions. And the wreath my brother patiently fashioned from a plain wire hanger and dozens of red-and-white peppermint candies.

the mistletoe ball
he made as a child
. . . then the way
he always resisted
his mother's kisses

Later, they took to telling us exactly what to give them. More than once from me: a dollar-size bottle of green Williams Lectric Shave for my father and, for my mother, Jergens "extra dry skin formula" lotion. Secretly, I longed for the day of impracticality, of fancy gifts, things fragile and unneeded.

Eventually, that wondrous day arrived. On an early-December expedition to a popular shopping center, our parents dropped us off at a department store where they allowed us, for a short time, to roam around on our own.

Suddenly, there it was—angel bells ringing—prominently displayed on a table. Made of glass, the sort of present I had hoped to find. And miraculously, according to a sign, the price was just five dollars. My brother, a nonshopper to this day, immediately went along with my idea. Heaven knows how he was able to carry such a hefty box all the way to the car and how we managed to disguise it as well as find a sheet of wrapping paper at home that was large enough to fit around it. But in any case, when our mother and father opened the package that Christmas day, to my barely 10-year-old eyes they looked surprised.

their punchbowl set
neatly stowed away
in a closet . . .
those festive parties
we hoped they would have


Author's Note: That punchbowl set is now packed away in my own house.

Haibun Today, Vol. 11, No. 4, December 2017

M E R R Y  C H R I S T M A S ,  H A P P Y  H O L I D A Y S !

Wednesday, December 13, 2017

Tanka Prose

Clouds

I would build a cloudy House
For my thoughts to live in,
When for earth too fancy-loose,
And too low for Heaven. [1]

Elizabeth Barrett Browning

If I didn't know better, Elizabeth, I'd say you were haunting me. It all may have started just down the street from a school I attended—at the St. Marylebone Parish Church, where you and your dear Robert secretly married (though I was ignorant of that fact until only recently). I passed by a few hundred times as a youth, never stepping foot inside. Then five years later, and more than an ocean away, I came to live in a college dormitory building that to this day faces a world-renowned library dedicated to you and Robert. So close to you again, yet I continued to be deaf to your presence.

How the decades have turned to vapor. Now, I find myself back in London, roaming the streets as if lured from place to place by your hand, soft and warm. Yesterday, to the National Portrait Gallery and its famous likenesses of the two of you. And this afternoon to this church at Marylebone Road. As soon as I slip in, I notice the plain, dark door labeled "The Browning Room." Ah! It's locked, but I hope you'll give me credit for vigorously rattling the knob. At least I manage to snap a photograph of the heart of the church—from pews to pulpit and grand ceiling—generating stares from a handful of workers before I dash back out.
some have said
cameras steal souls . . .
with this one shot
all I wish to capture
is the splendor within

In search of another wispy trace of you, I next make my way down a section of the High Street and onto quiet blocks known for their opulent, historical residences and medical establishments. My silent gasp as I eventually come upon that famous address where you spent the last eight years of your life before you eloped. Etched quite simply, near ground level, into the building's stone facade: "Elizabeth Barrett Browning . . . Lived in a house on this site." I imagine you, fragile in constitution but your pen bold and strong, crafting your words in a way thought somewhat uncharacteristic for a woman of your time.
a sign 
at 50 Wimpole Street,
once the home 
of a beloved poet: 
The Heart Hospital

Finally, I wind my way through an overly crowded commercial district to Trafalgar Square and then to Westminster Abbey with its numerous pointed arches and sky-piercing Gothic spires. Here, your husband lies buried in the company of other notables, though far away from your own resting place at The English Cemetery in Florence, Italy. I bid adieu to you and yours, Elizabeth . . . but surely only for now.
evensong—
a hush of humanity 
as the sun 
slowly lowers itself
to a choral introit

_______________

Author's Notes:

[1] From "The House of Clouds," lines 1–4, by Elizabeth Barrett Browning (1841). The first-published version (in Athenaeum) is used here; in subsequently published versions, the punctuation is different.

The wording soft and warm is from "Sonnets from the Portuguese 24," line 3 ("In this close hand of Love, now soft and warm"), by Elizabeth Barrett Browning (1850).
The St. Marylebone Parish Church, which has been associated with a great deal of history, was established "sometime after 1086" (per the church's website). The basic structure of the present-day parish church was completed in 1817. Various well-known individuals have attended the church, including Charles Dickens and his son. The Brownings were married there in 1846.
A round commemorative plaque (first installed in 1899), too small and located too high for the narrator to read in person, is affixed to the building at 50 Wimpole Street. Its interesting wording: "Elizabeth Barrett Browning, Poetess, Afterwards Wife of Robert Browning, Lived Here, 1838–1846."
The poet's Georgian Wimpole Street house, which she shared with Barrett family members, was likely torn down in 1935 (sources vary on the date). Curiously, the current structure at that location is associated with a major heart center.
Elizabeth was a semi-invalid for much of her life, apparently suffering from a collection of maladies (the exact set of illnesses is open to debate). Also, it is said she was prescribed opiates, to which she became addicted.
Coincidentally (unknown to the author until she had completed this story), a legend exists that the ghost of Elizabeth haunts the Armstrong Browning Library in Waco, Texas. Also refer to the tanka prose piece "All Things Browning," Haibun Today, 11:1.
_______________
Haibun Today, Vol. 11, No. 2, June 2017
Update: As if I didn't already have enough unexpected Browning and Barrett  "connections" (that I never before paid attention to) . . . A few weeks ago, I was cleaning out old purses and in one of them found a small flyer about a cruise line's shore excursion we went on roughly 20 years ago. It was for Greenwood Great House, a Barrett family residence in Jamaica. 

Sunday, December 4, 2016

As a child

as a child
I dreamed of writing books …
my feet small
in these sidewalk prints
cast by Thomas Wolfe

Frameless Sky, issue 3

Asheville, North Carolina

Monday, September 5, 2016

The still life

the still life
I painted at sixteen
...  all this time
hanging in my parents’ house,
soaking up their hues

Atlas Poetica, 22, summer 2015


Now it's hanging in my house. (Don't tell anyone, but my teacher helped me a little with the fine-tuning.)

Finally, a year after moving our father out of his large old house, going through it with a fine-toothed comb, then spiffing it up and listing it, it looks like we are close to a sale, crossing fingers.

Monday, August 29, 2016

Summer nights

summer nights
of sleepovers
and secrets ...
only the moon
stayed up as late

Ribbons, Tanka Cafe (theme: spring/summer), spring/summer 2016

When we were young kids, why was it so exciting to spend the night with friends and cousins? And why was it such a thrill to stay up until at least midnight, whispering, and also, if we managed to pull it off, downing "midnight snacks"? Back when times were much simpler….

Monday, August 8, 2016

I'll miss you

I'll miss you,
her thin hand interlocked 
with mine …
scars from childhood
begin to soften 

red lights, June 2016

Tuesday, June 28, 2016

Tanka Prose

Fishing for words

Found after decades! Packed away with other favorites of mine, their spines barely affixed, A Child's Garden of Verses (a condensed pop-up edition) and The Golden Book of Poetry … coming back to life. 

I don't know exactly when, or why, my writerly muse first emerged—or where it came from. (But perhaps it was fed by the lines within these very books?) Nor can I explain my inability to hold onto my muse for very long at any given time. Yet even after I've convinced myself it's sailed off for good, I will probably half expect to find it again, waiting for me in some invisible box or misty sea.

Wynken, 
Blynken, and Nod, 
poets three 
in the same wooden shoe 
without their nets of gold
______________

Author's Notes:
 The above tanka is a reference to "Wynken, Blynken, and Nod," Eugene Field, 1889; "misty sea" is from the same poem.        
— The Golden Book of Poetry, various poets (including Field), 1947.
— A Child's Garden of Verses, Robert Louis Stevenson, 1885.

Haibun Today, vol. 10, no. 2, June 2016 

I wrote the above tanka, a take on the familiar children's poem, in response to three of us lamenting the then-current loss of our muses. They must have sailed away, on vacation together. Not long before that, I came across the above-mentioned books, so voila, a tanka+prose piece!



Tuesday, June 21, 2016

How sunflowers


how sunflowers 
could grow taller than me— 
in first grade 
the blurry border 
between fairy tale and fact 

Mariposa, 33, fall 2015


I feel like growing sunflowers. Maybe next summer.

Friday, May 20, 2016

Strolling the streets; the shift

strolling the streets
of the happiest place
in America ...
had I remembered
I would have worn a grin

San Luis Obispo, California, USA, August 2013
—Skylark 2:2, winter 2014

It actually was a happy place. I'd happily visit again!

the shift
in my disposition
when I notice
that train is carrying
The Greatest Show on Earth

~railroad crossing, Waller County, Texas, USA
—Atlas Poetica, 20, January 2015

A long, sleek, spotless train, no graffiti. As an adult, I tend to be a little bothered by the notion of circuses (some might say "The Cruelest Show on Earth"?). Yet for a few moments, I felt something magical as that train transported me back. 

Note: Earlier this month, performing elephants were officially retired from the Ringling Brothers and Barnum & Bailey Circus, ending a 145-year tradition.

Monday, March 21, 2016

A small boy; superimposed

a small boy
staring out at a world
he doesn't know—
snug in his flannel robe,
shrouded in illness

superimposed
on a snowy mountain,
my unclothed self …
no pockets to carry
the answers I want

—both of these from A Hundred Gourds, 5:2, March 2016

P.S. The little boy is a teenager now and doing very well indeed—thriving!

Friday, February 26, 2016

Waters may warm

waters may warm,
storms intensify,
sea levels rise 
…..yet still the voices
…..of children at play

A Hundred Gourds, 5:1, December 2015

Sunday, November 8, 2015

Silhouettes

silhouettes
we made of ourselves
in grade school… 
how many know me
only by my profile

A Hundred Gourds, 2:3, June 2013


Wednesday, August 12, 2015

Crayon-thick lines

crayon-thick lines
of orange and blue—
her image of me
far more vivid
than I really am

Ribbons, "Tanka Cafe," Fall 2013

Drawing by my niece Abby, circa 2010. That's me beside the tent
that I live in. I can't remember if the tent was on fire or not.


Thursday, June 11, 2015

How I bristled

how I bristled
at ruffles, bows, and hats,
favoring
my baggy play dress
made of pillow ticking

Skylark, 3:1, Spring/Summer 2015

For years, my grandmother loved to see me in hats and bows—and hats with bows. That may have been okay for my dolls. But it wasn't for me, though in my humble opinion I did at least try to cooperate.


My play dress looked like an old-fashioned striped pillowcase. I still remember one of the teenage boys next door rolling down his bedroom window and teasing me about it (in a good-natured way).

Sunday, May 31, 2015

Downy puffs

The first weekend in June, two years ago—My niece and her band of friends float from party to party. Once the ceremonies and celebrations are over, I discover in my Facebook news feed a picture that says it all: a long line of them captured in mid-leap, mortarboards flung into the stratosphere.

downy puffs
of cottonwood seed
in flight
a flock of new graduates
looking for somewhere to land

GUSTS, No. 21, Spring/Summer 2015

I'm glad I was able to fly to Illinois to attend the festivities. Everywhere I looked, it seemed, there were indeed fluffy cottonwood seeds.

Tuesday, May 26, 2015

I pop in

I pop in
at my school reunion
online—
the familiar face
of the mean girl

Atlas Poetica, 20, January 2015

Thursday, March 5, 2015

A child's words; so small

a child's words
gator, monster, blue
scribbled 
on notepaper
in the waiting room

Skylark, 2:2, Winter 2014

so small ...
but only a neutrino
can pass through
this universe
unscathed

—Skylark, 2:2, Winter 2014

The second one represents a slight departure for me.

Wednesday, January 28, 2015

Tanka Prose

Preservation

I must have learned to stand up for myself at an early age. As if it happened just yesterday, I see my mother marching back to the market to wave her purchase in front of the manager.

how things gel
into long-term memory—
the leggy insect
suspended inside
a jar of marmalade

Haibun Today, June 2014

Saturday, December 13, 2014

Sprinkling glitter

sprinkling glitter
on my childhood artwork,
brushing away
the bits of sparkle
that just won't stick 

—Skylark 2:1, Summer 2014

Saturday, November 22, 2014

In a shoe box

in a shoe box
my Shirley Temple doll
made of china ...
the teardrop crack
under one of her eyes

Ribbons "Tanka Cafe" (theme: heirlooms and relics), Spring/Summer 2014

An aunt of mine was given this doll decades ago. I read via Googling that she (the doll, not my aunt!) was probably made in the year 1934. Fragile Shirley eventually ended up in my hands when I was still a child. Too bad my mother threw the original box away.

Here she is, except mine isn't in quite as good shape. And I learned something: she isn't actually made of china (oops) but, instead, "composition," a painted sawdust/wood blend.