Showing posts with label daily life. Show all posts
Showing posts with label daily life. Show all posts

Thursday, August 10, 2017

Tanka Prose

No room at the inn

We're among the first to arrive this afternoon at the local drug store, our haven from this storm of storms. Bedecked in our "emergency" ponchos (mine with Mickey Mouse on the back), we tromp in, rain beads sliding off onto the floor. A short while later, a lady bursts in by herself, animated, rattled. She briefly describes, to anyone and everyone, her harrowing experience on a nearby flooded road: "I asked myself, did I want to be one of those people they show on TV who has to be rescued?" She immediately answers her own question, "No!"     

Others trickle in little by little. A soft-spoken woman relays to us how her grown son, who tried to drive into town to pick her up, did have to be saved from the waters, his car lost to them. And a thin man who must be nearly seven feet tall commands attention. "This is the fifth time in the past year, the fifth time, I've been flooded out of my place." I begin to feel as if I'm part of a classic Christie whodunit—disparate guests gathered here, unable to leave, all roads out, both big and small, impassable. 

It's amazing how we manage to whittle away the hours, alternately cruising the aisles, curling up in cold faux-leather chairs in the pharmacy waiting area, and stepping outside to check out the scene: the lights, the clouds, the rescue boats carried on trailers. From time to time, one of the store workers shows us updated radar maps on his smart phone. (We have no smart phone ourselves, and our shared old-style phone has run out of juice.) My husband keeps talking about finding a clean room for the night. That is, until someone new bolts in and announces there are no more rooms to be had in this town—even if we could get to one.

see-through case
with travel toothbrush
and tube of paste—
life's essentials
for a dollar or two 

While it makes no sense to us, the store shuts down at its usual time, 10 p.m, forcing all of us to move to our vehicles in the near-packed parking lot. Just before then, a line forms in front of the women's restroom. I feel possibly more concerned about having to suddenly relieve myself at 2 or 3 in the morning than I do about threats of tornadoes not so very far away. Even the employees station themselves outside, one of them leaning against the building, guzzling wine from a bottle half concealed in a brown paper bag.

Sometime after midnight, through the window of her large black Cadillac SUV parked next to us, a woman we'd chatted with bids us kind farewell as though we are longtime friends. She has decided to try her luck at leaving, hoping a road or two have reopened since the earlier police warning—but she does live a little closer than we do. Over the course of the night, three more rounds of rain, even a little hail, beat down on us, the last starting at approximately 3:45 a.m. My husband manages to snooze through the heaviest of it; not so me, however.

Come 5:30 or so, the lot is only a third full. (Did others know something we didn't?) I'm oddly glad to still see the white pickup truck two spaces over. A flicker of brightness, I assume from a cigarette lighter, lets me know there's life inside. A short while later, the occupant hops out and disappears round to the back of the building. I believe I know what he's about to do there.

the shelter
of our Kia Soul
this storm-drenched night
with other travelers
we share the restless sky

Atlas Poetica, Summer 2017

__________________________________

For part one to this story, read "Deluge." 


Tuesday, June 6, 2017

Tanka Sequence (Set)

Clothes

sunflowers
splashed all over
my dress—
bare-armed, I scattered
the seeds of childhood

for so long
she draped it around herself
the same thick cloak
that near the end
slipped off her shoulders

Skylark, 5:1, Summer 2017

Sunday, May 28, 2017

Wanderlust

wanderlust
soaks into my pores ...
dishwater 
sudsy with the scent
of crisp Iowa pine

—Earth: Our Common Ground (anthology), Skylark Publishing, spring 2017

Thursday, May 11, 2017

All my life

all my life
a yen for small
unnoticed
or discarded things 
... a poem's seed

Skylark, summer 2017

Monday, May 1, 2017

One door

one door
marked electrical
the other, stairs
sometimes I'm tempted
to open the wrong one

GUSTS, spring/summer 2017

Monday, April 24, 2017

Crows and clocks

crows and clocks,
clatter in the kitchen
from my husband ...
how active the world is
while I'm inclined to slumber

GUSTS, spring/summer 2017

Friday, March 31, 2017

Long kidskin gloves

long kidskin gloves
she wore in the ʼ60s
on my bare arm
is this just a freckle
or another age spot?

Moonbathing, issue 15, fall 2016

She seemed to me to be quite the fashion plate back in the day.



Tuesday, November 22, 2016

Columns of smoke

columns of smoke
rising from a distant field    
……..the signals
I fail to decipher
on the clearest of days

Frameless Sky, issue 3

And for those who celebrate this holiday in the U.S.:

H A P P Y  T H A N K S G I V I N G !

Tuesday, November 1, 2016

These old dishes

these old dishes 
crazed with spidery veins— 
the "good china" 
saved for special occasions 
few and far between 


A Hundred Gourds, 5:2, March 2016

Sunday, September 25, 2016

A cardinal

a cardinal
darts in and out of the woods ...
my mad dash
to learn about life
before it's time to die

red lights ("meditation"), June 2016

Sunday, September 11, 2016

Announcement: KYSO Flash HTP Contest Results

Recently, I received the surprising news of winning first place in the HTP Contest, a joint haibun and tanka prose competition administered by Clare MacQueen, editor/publisher extraordinaire of the innovative KYSO Flash online journal. To read my piece, "Approximations," as well as the other winning entries plus the semifinalist and publisher's choice entries, follow this link.

For commentaries by Matthew Paul, judge, follow this link.

Many thanks to Clare and Matthew!

Monday, August 1, 2016

Tanka Prose

Everywhere I look

Signs litter my world. Yet how little sinks in, how little I know. Dozens on the drive to town or, for that matter, anywhere else. Street and road signs, neighborhood notices, highway markers. Instructions, information, warnings. Round, square, rectangular, triangular, hexagonal, diamond- and pennant-shaped, and more. White, green, blue, yellow, orange, red. Blinking lights. Overload.

Private Property–No Trespassing. Speed Limit (and how the limits change along the way). East, West. Right Curve, Left Curve. Pass With Care, Do Not Pass. Don't Litter. Loose Gravel, High Water. Drive Friendly. Adopt A Highway. Church. Cemetery. Dead End. No Shoulder Ahead. . . . Stop, Stop, Stop.

HEARTBREAK
a sign I always see
when passing by
that small empty shack
at the end of the jetty

______________
—Contemporary Haibun Online, July 2016, vol 12, no. 2

Tuesday, April 5, 2016

Scarred with rust

scarred with rust
this metal dustpan
after two floods—  
the things I replace
the things I don't

Frameless Sky, issue 3, fall 2015



Sunday, February 7, 2016

Collaborative tanka sequence: Ash and embers

Many thanks to the magnificent Susan Constable, poet and tanka editor for A Hundred Gourds, for working with me on this collaboration: 

Ash and embers

Janet Lynn Davis &

Susan Constable

grass clippings 
still heavy and slick 
from a downpour— 
the last bits of summer 
clinging to their source 

the biggest bloom 
in the dahlia garden 
fades and curls … 
a friend in palliative care 
turns away from us all 

pale gray walls 
becoming grayer ... 
at ninety         
my grandmother
says she wants to die  

I touch the stove 
warm from ash and embers            
this morning 
the first shoots of daffodils    
poke through melting snow   

Ribbons, spring/summer 2015  
Note: Susan's tanka are "the biggest bloom" and "I touch the stove."

Friday, January 8, 2016

Bitter wind

bitter wind
the scent of orange
in my face cream

—Mariposa, 33, Autumn/Winter 2015

Friday, January 1, 2016

Fresh beet juice

fresh beet juice
washes over my hands …
the blunders
I attempt to sop up
before the stain of regret

—Skylark 3:2, Winter 2015

Saturday, December 19, 2015

A gleam

a gleam
when she notices
the "Grandma" mug
now too heavy
for her to hold

Frameless Sky, Issue 3, fall 2015

Sunday, November 22, 2015

When you are gone

when you are gone
I eat on white melamine
same dishes
I’ve complained about before:
generic, expressionless


Simply Haiku, Autumn 2005, Vol 3, No. 3

My first tanka. I wrote it and several more over a couple of days and then somehow got all but one of them accepted for publication three days later. (I'd probably edit a few of them a little differently now, but…) After that, I was hooked! 


Wednesday, August 19, 2015

What's ours; a new rock

what's ours
isn't really ours …
we stare at plans
for a bullet train
through the neighborhood

a new rock, 
plastiglomerate *
litters the shore—
will the words I leave behind
also survive the seas?

* melted plastic trash mixed with beach sediment and debris
both of these—red lights, June 2015