Showing posts with label sun/moon/stars. Show all posts
Showing posts with label sun/moon/stars. Show all posts

Monday, December 18, 2017

Roadside ditches

roadside ditches
brimming with dark water
after the rains 
even they can shimmer
with the right touch of sun


Pleased that the editors of the 2017 Tanka Society of America members' anthology, David Terelinck and Margaret Dornaus, were able to use wording from my tanka for the anthology title. I wrote "roadside ditches" during the wild rainy season of Spring 2016; my mother passed away at night as our region, in southeast Texas, experienced the first bout of torrential rain. Ironically, I submitted "roadside ditches" to the anthology editors 2–3 weeks before Hurricane Harvey struck in late August 2017. I'm a native Texan and have lived for the bulk of my life in Houston (or not too far away from Houston). I'm used to rain—and, conversely, also to drought—though not to such extreme amounts of it. 

Wednesday, December 13, 2017

Tanka Prose

Clouds

I would build a cloudy House
For my thoughts to live in,
When for earth too fancy-loose,
And too low for Heaven. [1]

Elizabeth Barrett Browning

If I didn't know better, Elizabeth, I'd say you were haunting me. It all may have started just down the street from a school I attended—at the St. Marylebone Parish Church, where you and your dear Robert secretly married (though I was ignorant of that fact until only recently). I passed by a few hundred times as a youth, never stepping foot inside. Then five years later, and more than an ocean away, I came to live in a college dormitory building that to this day faces a world-renowned library dedicated to you and Robert. So close to you again, yet I continued to be deaf to your presence.

How the decades have turned to vapor. Now, I find myself back in London, roaming the streets as if lured from place to place by your hand, soft and warm. Yesterday, to the National Portrait Gallery and its famous likenesses of the two of you. And this afternoon to this church at Marylebone Road. As soon as I slip in, I notice the plain, dark door labeled "The Browning Room." Ah! It's locked, but I hope you'll give me credit for vigorously rattling the knob. At least I manage to snap a photograph of the heart of the church—from pews to pulpit and grand ceiling—generating stares from a handful of workers before I dash back out.
some have said
cameras steal souls . . .
with this one shot
all I wish to capture
is the splendor within

In search of another wispy trace of you, I next make my way down a section of the High Street and onto quiet blocks known for their opulent, historical residences and medical establishments. My silent gasp as I eventually come upon that famous address where you spent the last eight years of your life before you eloped. Etched quite simply, near ground level, into the building's stone facade: "Elizabeth Barrett Browning . . . Lived in a house on this site." I imagine you, fragile in constitution but your pen bold and strong, crafting your words in a way thought somewhat uncharacteristic for a woman of your time.
a sign 
at 50 Wimpole Street,
once the home 
of a beloved poet: 
The Heart Hospital

Finally, I wind my way through an overly crowded commercial district to Trafalgar Square and then to Westminster Abbey with its numerous pointed arches and sky-piercing Gothic spires. Here, your husband lies buried in the company of other notables, though far away from your own resting place at The English Cemetery in Florence, Italy. I bid adieu to you and yours, Elizabeth . . . but surely only for now.
evensong—
a hush of humanity 
as the sun 
slowly lowers itself
to a choral introit

_______________

Author's Notes:

[1] From "The House of Clouds," lines 1–4, by Elizabeth Barrett Browning (1841). The first-published version (in Athenaeum) is used here; in subsequently published versions, the punctuation is different.

The wording soft and warm is from "Sonnets from the Portuguese 24," line 3 ("In this close hand of Love, now soft and warm"), by Elizabeth Barrett Browning (1850).
The St. Marylebone Parish Church, which has been associated with a great deal of history, was established "sometime after 1086" (per the church's website). The basic structure of the present-day parish church was completed in 1817. Various well-known individuals have attended the church, including Charles Dickens and his son. The Brownings were married there in 1846.
A round commemorative plaque (first installed in 1899), too small and located too high for the narrator to read in person, is affixed to the building at 50 Wimpole Street. Its interesting wording: "Elizabeth Barrett Browning, Poetess, Afterwards Wife of Robert Browning, Lived Here, 1838–1846."
The poet's Georgian Wimpole Street house, which she shared with Barrett family members, was likely torn down in 1935 (sources vary on the date). Curiously, the current structure at that location is associated with a major heart center.
Elizabeth was a semi-invalid for much of her life, apparently suffering from a collection of maladies (the exact set of illnesses is open to debate). Also, it is said she was prescribed opiates, to which she became addicted.
Coincidentally (unknown to the author until she had completed this story), a legend exists that the ghost of Elizabeth haunts the Armstrong Browning Library in Waco, Texas. Also refer to the tanka prose piece "All Things Browning," Haibun Today, 11:1.
_______________
Haibun Today, Vol. 11, No. 2, June 2017
Update: As if I didn't already have enough unexpected Browning and Barrett  "connections" (that I never before paid attention to) . . . A few weeks ago, I was cleaning out old purses and in one of them found a small flyer about a cruise line's shore excursion we went on roughly 20 years ago. It was for Greenwood Great House, a Barrett family residence in Jamaica. 

Monday, August 29, 2016

Summer nights

summer nights
of sleepovers
and secrets ...
only the moon
stayed up as late

Ribbons, Tanka Cafe (theme: spring/summer), spring/summer 2016

When we were young kids, why was it so exciting to spend the night with friends and cousins? And why was it such a thrill to stay up until at least midnight, whispering, and also, if we managed to pull it off, downing "midnight snacks"? Back when times were much simpler….

Monday, August 15, 2016

Summer sun

summer sun
our minds bare and aligned
we discuss
both the pain of change
and the need for it

Eucalypt, 19 (fall 2015)

Tuesday, July 26, 2016

Again the crows

again the crows
after the winds blow through
………….voices
familiar to us
on wings of daylight

Skylark, 4:1, Summer 2016

Friday, March 11, 2016

A stepping stone

a stepping stone
etched with a dragonfly
and welcome ...
…..the earth, the heavens,
……….me somewhere in between

Skylark, 3:2, Winter 2015

I believe I must have one foot firmly on the ground and the other somewhere in the clouds. 

Monday, February 1, 2016

Shafts of granite

shafts of granite
inserted in their eyes
so they’ll twinkle—
sunlight reflecting
off a mountain of stone

TV documentary, Mount Rushmore, S. Dakota, USA
—ATPO, 20, January 2015

Friday, June 26, 2015

Silence; by my knee

silence
follows me around
at my heels
in midday sun
a field of white stars

Moonbathing, 12, June 2015


by my knee
a soft thud and rustle—
I pause
to take another look
at an ugly brown bug

Skylark, 3:1, Summer 2015


Thursday, March 5, 2015

A child's words; so small

a child's words
gator, monster, blue
scribbled 
on notepaper
in the waiting room

Skylark, 2:2, Winter 2014

so small ...
but only a neutrino
can pass through
this universe
unscathed

—Skylark, 2:2, Winter 2014

The second one represents a slight departure for me.

Friday, January 16, 2015

A charm

a charm
of the planet earth
…...dangling there
on my new bracelet
without a sun or moon

GUSTS, #20, Fall/Winter 2014

It wasn't too very long before I went back to the store and added a sun, a moon, and two small stars. Ah, to feel complete….


Saturday, October 11, 2014

In noonday sun

in noonday sun
a buttermilk racer
hugging the house –
as I inch closer
my fear slinks away

A Hundred Gourds, 3:3, June 2014

Monday, August 4, 2014

Of all things

of all things,
envious of a greenhouse:
transparent
clear through to its guts,
that gleam of sun on its back 

Atlas Poetica, #17, Spring 2014

Tuesday, July 22, 2014

Enamored

enamored
of this stained-glass panel
till it strikes me . . .
the image only shimmers
with sunlight behind it

—Atlas Poetica, #14, March 2013
location: a garden shop, Navasota, Texas

Tuesday, October 22, 2013

Driving through; swirls of fog

driving through
this basket of fog
wondering
if I'll be the same
when it clears 

red lights, June 2006

swirls of fog
along these country roads
by evening
we turn into strangers
beneath our own moon

—Atlas Poetica, #13, Autumn 2012

Monday, October 14, 2013

I don't fret; water flows

I don't fret
about privacy,
these blinds open
to the midday sun
and the crow-black night

water flows 
down our seasonal creek
as before
we learn how to let
the ripples just be

—both: Atlas Poetica, No. 14, Spring 2013



Today I walked out back to the wet-weather creek. It's been empty again for quite a while, due to our "extreme drought" conditions. Despite the recent rains, including heavy downpours this weekend, there is no water "flowing" down it now. But we do have mud—a good sign, I think, ha.